In theory, Joss Whedon launching “the official” 8th season of Buffy: the Vampire Slayer as a comic book should have never worked. The concept; a logical extension of the second half of season 7, is Buffy having disbursed her powers so that any potential slayer now is one, is teaching and training an army of girls and young woman to fight the creatures that go bump in the night.
A school/super team that of super powered children who go around the world trying to save humanity from evil… basically, it’s the plot to every X-Men comic book that’s come out since 1963. Which still could have sounded cool; expect Joss Whedon is concurrently finishing up a run Astonishing X Men that was notably disappointing.
(He fell into a trap that’s plagued most X Men writers since 1991; rehashing old Chris Claremont stories.)
And yet, after reading “The Long Way Home” storyline the Buffy the Vampire Slayer Season Eight comic book seems both a flawless transition from mediums and the X Men comic I’ve been waiting for Joss Whedon to write. Three years since we’ve last seen them, the Scoobies are now based primarily out of Scotland and their lives are still filled with much stress-age.
Dawn just lost her virginity to a thricewise named Kenny and became a giant… proving that plot points can revolve around “your ass looks huge” jokes. Xander has basically become Nick Fury: Agent of S.H.I.E.L.D. but can’t get Buffy to stop calling him Mr. Watcher. And Buffy seemingly is developing a crush on a certain Cyclops while an old enemy puts her in a coma that can only be broken with the kiss of true love… which may or may not be related. And not to give too much a way but when the season’s big adversary is finally revealed it completely fits… even if it lifts the core conflict of X Men comics.
(Side note: this season is totally going to end with Amy being turned back into a rat and Warren turned into a slice of cheese.)
As much as I loved the first four issues of Buffy the Vampire Slayer Season Eight, there were some curiosities about “The Long Way Home” storyline. The potential Buffy having a crush on Xander is a great direction, considering in 144 episodes, it was one of the few potential storylines not covered; but it popping up in issue one without the actors there selling it; sort of made me feel like I was reading fan fiction. And as much as I was otherwise impressed with Georges Jeanty artwork, the guy couldn’t capture Andrew’s likeness if you put a gun to his head.

It’s also kind of funny that in a property called VAMPIRE Slayer other than a couple of stray dream panels; not a single vampire appears in any of the four issues. But I totally agree with the decision to bench Spike, which was partly influenced by the character currently being licensed to separate comic book company. As much as he offers as a character, he had so much face time in the last two seasons of Buffy that it’s important to see how she functions as a character without him again.
In general, as cool as it would have been for the band to have gotten back together and for a season 8 to air on television, more than anything what made the show special was the quality of the writing; and with almost all of the key writers, not just Whedon set to contribute, I couldn’t be more siked for the rest of the series.